One of Pudovkin's editing techniques that interested me was symbolism. Essentially, a symbolic cut is when you transition from one shot to another, but the connection between the shots have a symbolic connection. For example, in Psycho, Alfred Hitchcock uses a shot of a bloody drain and transitions it to a shot of the lifeless character's eye, symbolizing the loss of life (As water goes down the drain it is considered a "loss", think "A life down the drain"). This contributes to the storytelling by communicating messages visually, rather than having to explicitly explain (through acting/dialogue) the message of the story/scene . I find this interesting because a symbolic cut isn't as noticeable to the viewer as most are, unless the audience has a deep understanding of the plot. It's definitely something you only seem to notice on your 2nd or 3rd watch of a movie, which makes it fascinating to me as it allows for movies to be interpreted in unique ways.
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