French cinema critics believed in the rejection of montage in favor of Mise en scene, as it allowed audiences to take in a scene as it unfolds. They also believed in Camera-stylo, which was the idea that a director should wield his camera like a writer uses his pen, and that they shouldn't be held back by traditional storytelling. Auteur directors also implemented their own personal style into their films, and they focused on establishing a mise-en-scène.
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